[
edit] Early life
Born in
Laasqoray,
Somalia, K'naan spent his childhood in the district of
Wardhiigleey ("The Lake of Blood") during the
Somali Civil War, which began in 1991. His aunt,
Magool, was one of Somalia's most famous singers. K'naan's grandfather,
Haji Mohamed, was a poet. K'naan is also a
Muslim. His name, K'naan, means "traveller" in the Somali language.
K'naan's father, Abdi, left the country, along with many other intellectuals to settle in
New York City and work as a
cab driver. He mailed money home to his family.
[3] As the civil war continued and the situation in Somalia continued to deteriorate, K'naan's mother, Marian Mohamed, petitioned the
United States embassy for an
exit visa. In 1991, on the last day the US embassy remained open as the government of
Mohamed Siad Barre collapsed their visa was approved, and they boarded the last commercial flight out of the country.
[4]They joined relatives in
Harlem, New York City, before moving to the
Toronto,
Ontario neighbourhood of
Rexdale, where there was a large
Somali Canadian community.
[5] His family still lives there. In his new country, K'naan began learning English, some through hip hop albums by artists like
Nas and
Rakim. Despite speaking no English, the young K'naan taught himself hip hop and rap diction, copying the lyrics and style phonetically.
[4] He then also began
rapping.
[3] He dropped out of school in
grade ten to travel for a time, rapping at
open mic events, and eventually returned to Toronto.
[
edit] Career
K'naan became a friend and associate of Canadian promoter,
Sol Guy, who helped him secure a gig speaking before the
United Nations High Commissioner for Refugees in 1999, where K'naan performed a
spoken word piece criticizing the UN for its failed
aid missions to Somalia.
[6] One of the audience members, Senegalese singer
Youssou N'Dour, was so impressed by the young MC's performance and courage that he invited him to contribute to his 2001 album Building Bridges, a project through which K'naan was able to tour the world.
[5]This project lead to his work at other UN events, as well as the
Montreal Jazz Festival and the
Halifax Pop Explosion. It also helped him meet Canadian
producer Jarvis Church and his Track & Field team in 2002, who produced his debut album
The Dusty Foot Philosopher, which was released in 2005 to critical acclaim. In 2006, it won the
Juno Award for Rap Recording of the Year, and was nominated for the inaugural
Polaris Music Prize. It also won the BBC Radio 3 Award for World Music in the newcomer category for 2007.
[7][8]. The Dusty Foot Philosopher will be re-released and re-packaged as a "Deluxe Edition" featuring new mixes and a bonus DVD in the United States (and various international territories) by the emerging media company and record label iM (Interdependent Media, Inc.) in 2008.
Since then, he has been on tour promoting his album and working on his follow-up release, "Troubadour," his debut album for new label
A&M/Octone Records. He has also been working with artists like
Nelly Furtado,
Mos Def,
The Roots,
Dead Prez, and
Pharoahe Monch on tours such as
Live 8[9] and
Breedlove Odyssey.
[5] He also collaborated with
Damian Marley on the "
Welcome to Jamrock" touring session.
[10]In 2005, the Canadian music scene featured a low-key feud between K'naan and
k-os, one of the most prominent Canadian hip-hop artists. Following the release of the
music video for the song Soobax, which was shot by K'naan and a film crew in
Kenya, k-os released a track B-Boy Stance attacking K'naan : "They took cameras to Africa for pictures to rhyme / Over; Oh, yes, the great pretenders [...] Religious entertainers who want to be life savers." Though the feud never became high-profile, with K'naan expressing confusion at the attack and respect for k-os, he nonetheless responded with the mixtape Revolutionary Avocado which argued "You the all-knowing with a beer bottle / Wishing you was Plato and me Aristotle? / ...Suburban negro turned hip-hop hero / Is there a reason he really hates me, though?" — a rebuttal
CBC's Matthew McKinnon called "cold-cocking the champ".
[4] He recently released
The Dusty Foot on the Road, a collection of recording made during his recent world tour on
Wrasse Records.
[11]His second studio album,
Troubadour, was released on February 24, 2009 on
A&M/Octone Records, and will be distributed through
Universal Music Group worldwide. The album's first single, "ABC's", was released to radio in late 2008. K'naan has featured in several video games such as "Madden NFL 09" with his song ABC's, and "Fifa 06" with his song soobax. The song "If Rap Gets Jealous", a rerecording of a track of the same name - with different verses - from The Dusty Foot Philosopher, features
Metallica lead guitarist
Kirk Hammett. K'naan was also the first featured artist on X3, a collaborative project between
CBC Radio 3,
Exclaim! magazine and
aux.tv to promote new Canadian music.
[12][
edit] Political views
On April 15th 2009 K'Naan publicly criticised the approach to the problem of
Somali piracy after the kidnapping of
Richard Phillips (captain) of the
United States flagged
MV Maersk Alabama container ship 240
nautical miles (440 km; 280 mi) southeast of the
Somalia port city of
Eyl.
[13]"It has no basis, no roots, and I'm not talking about, when I say basis - it's not the same as justifications [...] but how there came to be pirates, I think that is probably the most undiscussed thing in major media today - it's as if they just sprung from nowhere. But Somalis have long known about the issues."
[14][
edit] Style and influences
Critics have said K'naan has "a sound that fuses Bob Marley, conscious American hip hop, and brilliant protest poetry."
[3] His voice and style have been compared to
Eminem,
[4] but his subject matter is very different; according to K'naan, he makes "urgent music with a message", talking about the situation in his homeland of Somalia and calling for an end to violence and bloodshed.
[15] He specifically tries to avoid
gangsta rap clichés and posturing,
[16] saying:
"All Somalis know that gangsterism isn't to brag about. The kids that I was growing up with [in Rexdale] would wear baggy [track] suit pants, and a little jacket from Zellers or something, and they'd walk into school, and all the cool kids would be like, 'Ah, man, look at these Somalis. Yo, you're a punk!' And the other kid won't say nothing, but that kid, probably, has killed fifteen people."
[6]This statement was made to explain his position on the world of difference which exists between where he grew up, and the ghettos of the
first world.
[17]. Nonetheless, K'naan denies that he is overtly political, instead explaining that he "[shows] the state of the world [and] if you call it like it is you're being political."
[18]. His own opinion of his music is that it's a "mix of tradition and [a] kind of articulation of my own life and [..] my past experiences."
[18]K'naan has said that he is influenced by
Somali music and the traditional instruments of Somalia.
[19]